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* **Auto-stitch:** Some feature sets, such as the ability to merge multiple images into one seamless image, are easier to master with the help of Auto-stitch. This function opens the dialog box shown in Figure 16-6, where you choose the area and align the images. By default, the resulting image is a seamless pattern. You can also choose a gap, too. You can learn more about this tool in the next section.
* **Adjustment layers:** A group of three icons located in the upper-right area of a window is your gateway into this feature set. The Adjustment layers feature provides easy and quick image adjustments such as brightness and contrast. Adjustment layers also enable you to adjust the image’s dynamic range — the maximum range of light intensity values that can be captured by a digital camera. The upper-right symbol indicates how much the adjustments affect the image as you increase the levels of brightness or contrast. Figure 16-7 shows what happens when you increase contrast with the adjustment layer.

Photoshop has many different settings for adjusting brightness, contrast, and so on, as well as a brightness histogram setting that highlights all the pixels in an image in the way that you normally see when you highlight the area where the image was taken.

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Quick Guide to Photoshop Elements

1. Start by selecting a photo from your computer to open the dialog window.

2. Start with choosing a specific preset on the bottom left corner.

3. Open the Adjustments panel by pressing Ctrl+I.

4. With the Adjustments panel open, you can change the color palette, curves and more.

5. Change the color of the photo in a multitude of ways. Learn more in our Photoshop Elements tutorial.

This guide is an elementary introduction to Photoshop Elements. We will be going over image editing, basic settings and customizing your edits. You can continue to go through Photoshop Elements with more deeper tutorials, and more detailed guide, to learn about the full features of Photoshop Elements.

Let’s begin.

This tutorial assumes you have no prior knowledge about Photoshop Elements.

1. Opening the Photo

First, you will have to open the photo that you want to modify. Click on the small image icon in the lower right corner.

The photo on the left side is a sample photo.

2. Select a Preset

The next step is to select a preset that you like. You can either click on the Presets tab and select a preset, or you can click on the Content-Aware tool icon on the bottom left.

Below are a few of the available presets. You can see the available selections in the next section.

3. The Adjustments Panel

The Adjustments panel is a tabbed interface within the program where you can make adjustments to the image.

The Adjustments panel allows you to make changes to more than just your photos. You can alter the lighting of the room, the color of the sky, or pretty much anything.

To change the color of the image, open the tab labeled “Adjustments” in the bottom left corner.

4. The Color Palette

The Color Palette allows you to make color changes to your image. You can open the tab if you want to make any color changes.

But you can also open the Color Palette if you want to see what colors are in the image.

You can view all the colors in the color palette by pressing the up arrow key.

You can also change the view to pick a specific color by pressing Ctrl+9.

5. Light and Shadows


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Into the Woods: Decibels for the Theatre

When I was working with Sharon Feiling at UBC’s School for the Contemporary Arts, she told me that one of the skills I’d need to develop if I wanted to be a creative theatre director was the ability to create the sound for the show. In order for actors to experience the space that the playwright is conjuring up, they need to imagine a “back-story” — where the action is happening.

I realized I knew nothing about “back-story,” so I was curious to learn how that was done, and how sound was a part of creating the “back-story” of this play.

Enter Doug Ching’s book, Into the Woods.

Ching, who you may recognize as a composer for the Vancouver Opera and as a music director for theatre companies, offers this concise and helpful definition of the back-story:

“Back-story is the history of your world. Your world in this piece. There’s a historical record that could fill a library. Many plays are only able to hint at it and are often vague. A good back-story is the equivalent of the miniseries. It’s important to fill in the historical narrative of this piece, the history of the characters.”

Ching’s book provides seven useful strategies, but all of them are aimed at helping writers use time and place to create a compelling plot.

He points out the importance of time and place in constructing a compelling plot:

“As the plot of any work progresses, we accumulate more information about time and place, sometimes more significantly for the heart of the piece. The decisions we make as playwrights for our plays about ‘time’ and ‘place’ have the ability to enhance the heart of a play or collapse it into a sense of déjà vu, as when the audience feels trapped in time or a place without a historical context.”

If, for example, you want to write an anti-war play set in a time and place that is unfamiliar to the audience, you’ll want to think about what aspects of history will be most meaningful.

Ching offers a definition of historical context that is fascinating and helpful:

“Historical context is the story of the characters

System Requirements:

OS: Windows XP, Vista, 7, 8, 10.
Processor: Intel Dual Core 2.0 GHz or higher.
Memory: 2 GB.
DirectX: Version 9.0 or higher.
Hard Drive: 25 GB available space.
Network: Broadband internet connection.
Sound: DirectX compatible sound card.
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